1) A DSLR Is A Must

It’s been said that pure talent is enough in most types of photography, with equipment playing a minor role however motorsports is one of the rare exceptions where you definitely need special equipment. A good example would be when a person with pretty good skills can capture a beautiful landscape image with a point and shoot camera however a relative newbie could botch it up with a state of the art DSLR (Digital Single Lens Reflex). With the motorcycles traveling at speeds in excess of 200mph, all the skills in the world could not help you capture that: You need a DSLR. More specifically it’s the outright speed and control a DSLR offers.

Main features that are important is a high frames per second shooting mode, high-speed auto focus and the near absence of shutter lag. The faster the above the better however even an entry-level DSLR can do the trick these days. A higher end, faster DSLR will just make your life easier. As for lenses, obviously the longer zoom range you have the more options are open to you but that doesn’t mean having a short lens will mean it’s hopeless. Work with what you’ve got and don’t spend too much time dreaming about what you don’t have.

3) Knowing The Track Layout

Unless you’ve been to the track numerous times, it’s critical to explore the track as best as you can to scope out the best possible spots to shoot from. If you have never been to a racetrack at all you will see it’s simple to get caught off guard by the sheer size of the track premises. What you will soon learn is that going from one side of the track to the other can easily be a 20 minute walk or more.

When it’s actually time to shoot the race, you want to know the exact locations you’ll go after you’ve finished capturing all the pictures you wanted at a particular spot. Being unprepared will probably get you stuck in the same place the entire race or you’ll miss numerous laps (possibly even the rest of the race) by walking around trying to discover another spot to shoot from. A race weekend will usually include practice sessions for the racers. You can use them as your practice sessions too.

3) Really Understanding The Sport

Having a good understanding of the sport is not necessary to take great motorsports shots but it can at least decrease the learning curve a bit and allow you to quickly move up the ranks to being a motorsport photographer. For an example, lets look specifically at motorcycle racing. Looking to get a picture of racers dragging their knees? Put yourself in places such as tight, relatively high speed corners to get a good one.

What about a rider tucked in low behind the windscreen? Keep away from braking zones where they need to sit up to prepare for corner entry. Need to capture a stand-up wheelie shot? No one intentionally tries any celebratory antics in the middle of a race, so wait till the end.

It’s possible the above three tips may give you a head start of sorts but what they can’t replace is practice and the inevitable amount of trial and error you’ll endure. Brace yourself for a rude awakening on your first attempt, but once you get acclimated to the speed of your subjects and the capabilities of your equipment all will come together soon enough. Most importantly, have fun!

Tags

photography

When you take your photographs, good lighting should be a priority. No matter how good is your composition, if the lighting is not good, then the whole photo will not be good either. It has this power to ruin a good image and make it useless, but it also has the power to make an ordinary photo, a great work of art. Learning how to capture the correct amount of light is an essential part of photography.

During the capture of a single photograph, the photographic medium (film or digital sensor) is allowed to gather a certain amount of light indicated by its exposure. There is no fixed value of a correct amount of light, because it depends on the available lights, the objects, and the photographer’s judgment. However, it is safe to say that there’s an acceptable exposure and an unacceptable exposure. Unaccepted exposures are, in general, due to a mistake rather than a photographer’s intention.

Basically, a dark scene will need long exposures, allowing more light to be collected by the sensor, which translates to a well exposed photograph. If less exposure is used, the photograph will become darker as a result of the underexposure. Alternatively, a bright scene will need short exposures, limiting the amount of light collected by the sensor, yielding a well exposed photograph. If more exposure is used, the photograph will become too bright with many blown highlights.

The camera controls the exposure through shutter speed and aperture. Shutter speed controls the time for which the shutter will stay open. The faster the shutter speed is, the less light will get to the sensor. On the other hand, aperture controls the degree of openness of the lens. Narrow aperture will let less light pass through it than a wide aperture. ISO speeds also affect the degree of exposure. Higher ISO speeds will make the sensor more sensitive to light, reducing exposure, but it will add undesired noise to the photos.

In manual exposure mode, aperture and shutter speed are usually set independently. When automatic exposure is used instead, the camera will calculate the optimum exposure based on the light meter used. Because of the lack of manual controls over exposure in many low-end cameras (including most digital compact cameras), exposure compensation (if available) should be used to fine tune the automatic exposure suggested.

Photographs with very dark and very bright spots will not show correct exposure on all their parts using any type of cameras. Usually, photographers take the same photograph at different exposures, and combine them together using software programs.

To understand exposure better, try to study your photographs through viewing them and the settings you used when you took them. Look for the exposure time (shutter speed), the aperture, the ISO speed, and the exposure compensation in the data that is stored in your image files. This is the best way to understand these things practically.

Go to CanvasPrintsOnline to get a copy of your free eBook

Tags

photography

Lines can have a very nice impact on your composition making it more appealing. Using them correctly can totally transform the mood of your photo as well as add a more depth to it.

While you may not notice, lines are abundant in our surroundings. Horizons are the most common of all horizontal lines that if placed on the top third will emphasize the landscape, while when place on the bottom third, more emphasis will be on the sky. To have the maximum impact, try not to cut your image into halves by placing the horizon on the center, and make all horizontal lines as horizontal as possible. Remember that this type of lines is usually more convenient to horizontal photos .

Vertical lines are even more obvious to us. Think of buildings, upright trees and light posts, they usually reflect growth and strength and when used correctly, they can provide interesting patterns especially when the photograph contains other elements. As with horizontal lines, the vertical lines should be perpendicular with the edges of the photograph because an inclined vertical line may harm your photo significantly. These lines look best in portrait orientation.

Diagonal lines are even more usable than the previous two types. Just look ahead of you along road or railway lines and you will sense a feeling of depth while your eyes will be set to their point of convergence of the diagonal lines. They also give a feeling of dynamic action. A compositional convention is to avoid placing diagonal lines on the diagonal of the photograph as the photo will look split.

The lines’ types and orientations are related to the viewpoint used in the photograph. Just by changing your point of view, you can turn horizontal or vertical lines into interesting diagonal lines. This can produce a totally different composition with more depth and more points of interest at the meeting point of the diagonal lines.

While lines may add a certain mood to your photograph, shapes usually provide the meaning. The shape is the first thing that identifies an object and it is usually considered as its 2D outlines.In order to let shapes have a strong impact in your photograph, try to make your object as different as possible from its surroundings in terms of colors or details . A good example for this is silhouette photography where the subjects are dark while the environment is colorful.

Objects may look the same from some angles and that may result ambiguity. To avoid this, choose an angle that will portray your object in a unique way.

Lines and shapes are abundant around us; we just have to remember how to utilize them efficiently.

Go to CanvasPrintsOnline to get your FREE photography eBoook.

Tags

photography

As an initial step, think about the camera you will buy, how you will use it and what do you want your pictures to look like. When doing so, you will be able to narrow down your search into a specific range of models, so the process will not be difficult anymore.

If you are looking for an ordinary camera to take your photos without caring much about advancing in photography, then a basic camera should be enough. You will be able to find a lot of cheap basic compact digital cameras. But even in this range you may still find some basic features like white balancing and autofocusing. These features were almost unheard of in the same range a few years ago.

If you take your photographic artistic expression more seriously, or if you still want ordinary photos but with better quality, try to look for a camera that will give you better control over the photographing process. Cameras in this range usually have a decent overall quality of the pictures they produce, and they provide the photographer with higher light sensitivity, better zoom options, and more manual settings.

Aspiring photographers with somewhat limited budgets may still be able to produce professional quality photographs using high-end compact cameras . The results may not be as good as those of DSLRs, but these cameras are capable to produce very high quality photographs compared to other compact cameras due to the manual settings they have (aperture, focus, and shutter speeds), the better lenses, and the stronger sensors. They also usually provide the ability to take RAW type photos which allows later precise adjustments.

The camera with the best value is the one that you will make use of all its functionalities. Maybe you have a video camcorder and you don’t need to record video with your compact digital camera. In this case, you may choose a compact camera with the same price but with no audio or video features as this will usually mean better photographing capabilities. Another feature that is usually emphasized so as to confuse the buyers is the amount of megapixels that constitute an image produced by the camera. If you are working with large prints, you should be interested in this number. However, it is not enough to produce high quality prints if the camera has a bad sensor or lacks many features.

There are a lot of online resources that can help you make a decision about which camera to buy. Search for photographs taken with different cameras in photo sharing website, or look for test photos taken by reviewers. Thus, you may know what to expect from the one you are going to buy.

Get your FREE photography eBook at CanvaPrintsOnline.

Tags

photography

From a scenic point of view, taking a photograph of a subject filling a small area in your frame may leave you with many empty spaces that if not effectively used, will render your photo boring. An effective remedy to this is to fill the frame with your subject, so as to get rid of these empty spaces.

Moving closer to your subjects can make your photo more interesting by removing the surroundings altogether. For example, consider this situation in which you are photographing a wild animal at the zoo. The most common composition is one that consists of an animal, a cage, and maybe spectators. But if you fill your photo’s frame with the animal’s face only, anyone might think that it was taken in the wild. The ambiguity resulted from close-ups lead observers use their imaginations to complete the picture . A photo of legs of a man and a woman standing in front of each other can tell many things. The focus here is on the action being performed, rather than who is performing it.

Portraits are usually a strong candidate for closeups. Sure you can take a great portrait with your subject in an interesting environment, but you can also get a very nice one too with just focusing on him. A portrait in which your subject fills the whole frame gives some sort of a personalized feeling. A facial portrait usually makes you in direct contact with the subject, as if you are looking to someone sitting in front of you. Close-ups on other body parts produce great photos too; they may create an abstract feel, or emphasize a certain action.

Close-ups also suit still life photographs very well. Getting close to object show new details that are not obvious when photographing from a distance. This is particularly important when photographing products and machine parts.

Zooming and cropping are the tools used to create close-ups. Cropping allows you to cut any part you want from any photograph, making it flexible to carefully choose your composition, but you have to know that the image size will be smaller than the original.

The simplest compositions may sometimes be the richest. So use your imagination, and make your audience use theirs.

Go to CanvasPrintsOnline to get your free ebook and get more photography tips.

Tags

photography

The reason why this rule is very well known is that it is pretty easy to apply. All you need is just to know how you should frame your subject.

Imagine that your photograph will be divided into three horizontal and three vertical parts. This is done by putting four lines (two horizontal and two vertical) each at one third of the photograph, hence the name of the rule. Thus, we will have four intersection points, each of which is a hot-spot for framing the subjects . In general, the lines together with the intersection points should be used to align the main subjects of your photos so as to have one that complies with the Rule of Thirds.

Photographing at close range will yield a subject that is too big to be framed as a whole. Instead of aligning the subject itself, interesting parts within it are the ones that should be aligned. In case of facial portraits, for example, the face usually covers most, if not all, of the viewfinder leaving the facial features to be aligned. Most photographers align the eyes to the first horizontal line from top. This is mainly because eyes are the most important feature of the face, and that by doing so, the rest of the facial features will be well placed inside the photo too.

The Rule of Thirds is commonly used in landscape photography as well. A lone subject in the foreground (a tree for example) is a perfect candidate to be aligned to one of the vertical lines. As for the background, horizons are usually aligned to one of the horizontal lines. A landscape scene may contain fields, mountain or clouds. In this case, a more general approach is recommended in which the different parts of the scene are considered as layers to be separated in the different sections (thirds) of the photograph.

Despite being important to the composition, some flexibility should exist when applying this rule. There are some instances where the perfect alignment should be sacrificed for a better overall composition, such as when some important details are missing just outside the frame. Another example is when trying to create the mirroring effect using reflections. Here, the mirror line (the line separating the reflection from the real) is usually aligned at the middle.

In general, this rule is a main element of good composition. By using it, you will be able to produce photos that are very appealing to the eyes.

Go to CanvasPrintsOnline to learn more and get your FREE photography eBook.

Tags

photography

Knowing your camera’s features very well will lead you to make better decisions about what settings to use in different situations. Most compact cameras come with a preset of automatic settings used in specific situations. They are sufficient in most conditions, however, being able to manually adjust your photos will generally yield better results . That’s why manual setting are usually more preferred. The give you the ability to fine tune your photos as you wish.

It is always recommended to take all your photos at the maximum resolution using the highest quality available, especially when you plan printing these photos. Prints usually require high resolution, and any compromise in the photo’s quality is not a good thing. Consequently, the size of the images will increase, so it is advisable to make sure you will have enough space in your storage media, while at the same time trying to find a reliable backup solution.

Nearly every compact camera sports an autofocus feature these days. When taking your picture, just press the shutter button half way down and keep holding it that way. The camera will perform the analysis and try to automatically set focus on the subject. That’s why pressing and holding the button should be done while aiming at the subject and then the camera can be moved (while still holding) to get the desired composition. After choosing the desired composition, the button should be completely pressed so as to capture the photo.

Even if your camera has an anti-shaking feature, it is usually better to use a tripod (or anything equivalent) to hold the camera still while photographing in low light situations. Unless you can rest your hand on something, it is nearly impossible to hold the camera still during long exposures. Always try to improve the lighting as most compact digital cameras will usually produce noisy and blurred photo in low light.

Not all features are valuable though. Most compact cameras produce bad photos at high ISOs (>400) and they should only be used for capturing fast moving objects. Using the built-in flash should be avoided except when there is no other efficient light source. The small distance between the lens and the flash source will produce very harsh shadows behind the subjects making them look like cardboard. It is usually better to consider external light which will give your photos a better professional look. The only feature that you should never use is digital zooming.

Getting to know your camera well requires experimenting . Fortunately, this can only increase its worth by making it produce better photographs and increase your experience by making you a better photographer.

Go to CanvasPrintsOnline to learn more and get your photography eBook.

Tags

photography

Any photograph lacking a focal point will not attract except a few quick glances. This is because naturally the eyes will search for the unique and different things in the composition. Whether it is a flower, a barrel, or a human, any interesting object will do.

The impact of the focal point on your photo can be further enhanced using many techniques. Next time you are taking a photograph, think where the focal point should be. A good place to start is at the four hot-spots or along the lines of thirds. Another possibility is to place it at the convergence point of leading lines which naturally grab attention into the photograph. In this case the Rule of Thirds can be neglected for a more symmetric composition.

Making an object more significant can be done by having a strong contrast between it and patterns around it. This contrast will add more definition to the shape of your object yielding an excellent focal point. A strong colorful contrast can only improve the effect further. Always remember that the brighter and bigger your object is, the more attention it will grab.

Another form of contrast that can be used is that of details. This is achieved by blurring out the foreground to bring the focus on an object in the background, or vice versa. The abrupt change in details will give the object a definitive and clear shape, making it the center of attention. Thus, selective focusing becomes very handy tool to underscore your focal point. The strength of this effect is determined by how shallow or deep the DOF is. If you are photographing in a dynamic surroundings, you can make use of the movements around you to achieve a similar effect without messing with DOF. A still object will stand out in a photograph with many moving objects when utilizing a slow shutter speed.

A photograph may have more than one focal point, but be careful as too many may make your photo crowded and will confuse the observer. Therefore, when capturing your next photo, try to think about it from an observer’s point of view.  

To get more tips visit CanvasPrintsOnline, also get you FREE photography eBook.

Tags

photography

One of the most common types of hobbies that many choose is photography. {Some go to college to learn how to make the most of a camera, but you don’t have to do that to take some really great shots.} {To take some really great shots you don’t need to go to college to learn to use a camera, although some people do.} You will lay the foundation for exceptional picture taking talent if you take the time with beginner photography. As with any endeavour and photography is no different you need a good basic knowledge.

You may want to get reference material that explains what you need to know about light, focus and distance and how a camera works when you start photography. Manual cameras allow you to adjust the various settings and these are the ones that will take the best shots in a wide range of conditions. Auto setting works well for many, but for those truly artistic and breath-taking photos, you have to know what all the settings on the manual camera really do.

For beginners the next step is to find a camera. You can find a great camera no matter what your budget however some are very expensive. You do have to be aware that some of the lower end ones may not have the longevity of some of the pricier ones and they may have other limitations. Bells and whistles should worry you less however than the basics for beginner photography. You also have to decide if you want digital or film, or perhaps one of both.

If you don’t want to take classes for beginner photography, you can teach yourself. What you need to know about framing a shot properly, F stops and lighting can be found in many great books that you can find. Those are all essential for truly great photos. Beginner photography course can also be found online that you can go through at your own pace when you have time. As a hobby photography for beginners should be fun not stressful. That is why the best way to go is learning at your own pace. Before you know it, you will have a fun hobby that gives you the creative outlet that you need.

To learn more visit CanvasPrintsOnline.com

Tags

photography

Ansel Adams is one of the most treasured American exponents the arts. He became famous for his art photography prints of the American West and Yosemite National Park in particular. He was a passionate environmentalist and loved this landscape. Adams used a large format view camera to capture vast scenes of mountains, forests, and lakes. Jimmy Carter awarded him the Medal of Freedom in 1980 which is the highest award a civilian can receive and made him a fellow of the American Academy of Arts and Sciences. His reproduced works include Moon and Half Dome Yosemite National Park 1960, Oak Tree, Sunset City, California 1932, Mount McKinley and Wonder Lake, Denali National Park, Alaska and Aspens Northern New Mexico.

Henri Cartier Bresson was a French man, known as the ‘father of modern photo-journalism’. He was largely responsible for taking photography out of the studio and into the street for candid shots, rather than formal poses. A true artist with the camera he began as a printer. He travelled extensively in Europe, taking art photography prints of Berlin, Warsaw, Prague, Budapest, and Madrid. His travels also took him to Japan, China, India and the Soviet Union. He formed the influential Magnum picture agency for photo-journalism with the help of Cartier Bresson. Ahmedabad, Guejerat, India 1966, Queen Charlotte’s Ball 1959, Sidewalk Café, and the view from Top of Notre Dame are among his prints that are available to buy.

Photo journalist Bill Brandt was a British photographer celebrated for his landscapes, nudes, and his documentation of British life. He photographed the underground bomb shelters for civilians during the Blitz in London in World War II after being commissioned by the government. As in Nude 1952, his nude art photography prints are artfully shot in black and white. Rider on Horseback in Hyde Park, a shot from 1940 in London’s famous park, showing a rider on a white horse and a line of trees is amongst Brandt’s work to be featured in Life Magazine,

Known mostly for his pictures of celebrities Robert Mapplethorpe is an American photographer. The iconic cover of Patti Smith’s debut album “Horses” sealed his reputation when photographed her. He also took pictures of Andy Warhol, Debbie Harry, Richard Gere and Grace Jones. Many of Mapplethorpe’s other art photography prints are of flowers. These are delicately shot with pale colors and often have a luminous sheen. 

To get your own photos printed as art visit CanasPrintsOnline.com.au

Tags

photography