Here is a list of the most popular ones and the file formats that you should consider.

JPEG: stands for Joint Photography Expert Group, and is a file format based on a data-compression system that reduces file size to as little as ten percent of the original size without any great loss to the image quality. This is an ideal format for web use.

When saving your image as a jpeg you can control the quality standard by selecting different settings. If the image is needed for large reproduction work a large setting of 9 or 10 should be selected. If the image is for web use only use a setting of 3 or 4.

GIF: stands for Graphic Interchange Format. GIF is also compression format and is special designed for use over the web. GIF consists of a standard set of 216 colours. This format is suitable for photography because of the loss to image quality.

TIFF: stands for Tag Image File Format and is the best choice for images that are going to be reproduced as prints. A TIFF image can be compressed, but takes forever when trying to open.

PNG: stands for Portable Network Graphics and is mainly used for web images. Experts say that this will become the standard for web images – replacing GIF as the standard.

Your digital photo software may support other formats, such as Photoshop, but it?s best to use the standard ones. Photoshop is becoming very popular and is a great tool for editing digital images. Most photography companies that are looking to digital images won?t accept a format that is not widely used and looses image quality.

Whenever you need to save a digital image, it?s best to use a format where you can hold as much quality as possible. TIFF is the best choice for images that are going to be use in print.

My choice is JPEG for web images and TIFF for large reproductions. If you are unsure of the format to use – use TIFF. Images can be reformatted to a different file format at any time.

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The first thing I recommend to start with if you are a serious digital photography enthusiast is to understand how colour works. When you understand how colour works in digital photography you can then use different colours to create very different feelings and emotions in the photo itself.

Colours such as blues, greens, mauves, etc are introverted colours and can often give your photo different feel to reds and yellows. For example think of a field of green with a tree that has purple flowers. It tends to represent, and even induce, feelings of tranquillity and calm. These, in digital photography, are regarded as introverted colours.

Colour such as yellows, red, oranges and pinks can often instil an energetic feeling. For example think of fruit such as red berries, oranges or cantaloupe. These are simple examples, but think of the feelings that these colours create in your digital photography.

This is another reason why not all things look as good in black and white, and why some things in fact do look better in black and white. (More about that another time. For now lets focus on creating colour that enhances your digital photography. )

In a very simple sense if you want to create a sense of stillness and calm in your digital photography then aim for subjects that have these colours. And the same goes the other way too. If you want to have a bright energetic feeling, then go for colours that are warm.

Contrasting colours in digital photography work very well too. Primary colours together such as blue and yellow seem to look great side by side, or one as a back ground and the other as a main subject. For example I took a photo on a beach with a bright yellow sign against a blue sky and a blue ocean. It gave the feeling of energy as well as having the calmness of the blue. Being a contrasting primary colour the yellow was not absorbed by the blue, it was the opposite. The yellow sat nicely against the blue as the focal subject.

When doing digital photography, think about the colours you are creating in your photo. Try to aim for digital photos that have colours that look good together, and do not clash like hot pink and bright red next to each other for example. If you want extrovert bold colour in your digital photo, don?t overcrowd the viewer with too many bold colours. In digital photography it works best if you have the main subject having the bold colour, rather than multiple points of bold colour in the background for example.

Choose good digital photography subjects with simple composition that have colours that work well to compliment each other. And remember digital photography is all about creating a feeling. And working your colours together well will enhance your digital photography images ten fold.

Best wishes,

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Classics are classics because they never go out of fashion. This explains why black and white photographs are deemed classics. They still hold good against the influx of color all around them. But for many, black and white digital photography is a less-trodden, little-appreciated and much underestimated domain of photography.

But thankfully, patrons and connoisseurs apart, black and white photography has recently acquired quite a fan following courtesy the digital cameras and their Black and White mode. People have suddenly discovered the “magic” of black and white photography. The timeless appeal of black and white photographs has caught on and people have come to appreciate its stark but shipshape appearance that exudes polish and sophistication.

So if you want to join the legion of black and white photograph fans and try your hand at some serious, thought-provoking and beautiful black and white digital photography, it is worth remembering a few handy tips.

– Those who were looking for an easy way out should remember that minor alterations in the color profile of the color editor doesn’t translate into a breathtaking black and white digital photograph. The black and white setting of the camera is also by no means a one-touch means to a striking black and white snapshot. Be prepared to tinker with a few controls on your digital camera.

– Understand that a black and white photograph is actually an amalgamation of gray tones. This realization will in turn help you to grasp the basics of filters, known to bring in startling results in your black and white digital photograph.

– In your wanderings through your digital camera setup you must have come across a number of filters. Unknown to many a digital photographer, these filters can be used to produce dramatic black and white snaps. For instance, you can experiment with various filters to see how they affect a particular color in the context of a black and white setting. A red filter over the lens will make the red shades in the picture appear as light gray tones and you will end up with skies that look ominously cloudy.

– The scope of black and white digital photography is not only about portraits and landscapes. There are thousand and one things that you can express with black and white photographs. So the next time you have the digital camera in hand, focus on abstract shoots. Treat black and white digital photography, as a mode to portray the world in a different light and you will never be short on potential photography subjects.

– If you still haven’t got the hang of how to produce realistic and spectacular black and white digital photography with only the camera as your aide, you have numerous image-editing software packages to give the finishing touches. Your crude photographs will get the most amazing makeover.

Step into the wondrous world of black and white digital photography and discover the vivid colors, emotions and moods that these two colors can portray.

About the Author

Connie Fillmore is a successful writer and publisher of photography related issues, for more informative articles go to www.digitalphotographyguy.com

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The sunrise or sunset out in the countryside is immeasurable than it is seen in the city. Maybe it?s the mountains or the trees that make the difference and people who want to capture the moment should have a digital camera along so a picture can be taken.

Here are some tips to be able to take those great pictures in the wild.

1. The digital camera comes with a zoom lens. If the person sees a deer or some other animal, it is best to use this feature because going too close can scare the creature away and the perfect shot.

2. Still shots are great but this could be better when the person is able to get multiple shots of the animals when it is moving. This can be done by catching it on video or snapping it fast especially if the unit comes with a fast shutter speed.

3. Hunting takes a bit of patience before the person is able to shoot at a target. The same thing is done when taking a picture so the individual must find a nice spot, remain hidden and just wait for animal to pass by.

4. The person must never use flash when taking pictures of the animals. This will startle it and make it run away enabling the individual to only have one shot making it impossible to do again.

5. Some people think that giving the animal food to get a better shot is a good idea. This should never be done because these creatures may attack. The person may have seen this on television captured on an amateur video at the zoo, which could be much worse, should this happen in the wild.

Shooting the animal with a digital camera can happen if the proper steps are taken. This includes doing it at different angles, doing it quietly, exercising patience and without flash.

Any digital camera will work to get this done. Those who want to buy a high tech free version are free to do so.

The person will have to practice often to get the hang of things to make this hobby into an art form. After all, it is only through practice and experience that lectures on photography especially about nature can be mastered.

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This information is Copyright January 2006 by http://www.santaclausca.com and Loring Windblad. References for this article include the author’s personal knowledge and experience. Additional information references with first article. This article may be freely copied and used on other web sites only if it is copied complete with all links and text, including this header, intact and unchanged except for minor improvements such as misspellings and typos.

OK, you have read my article Digital Photography: The Basics, and checked out all the references above and their good information, and you are ready to decide on your new camera. The final pieces of choosing your digital camera are determining just what you are going to use the camera for and how much money you have available to invest in your camera. Your considerations should be 1) your purpose for using the camera, 2) quality of product (particularly the lens), 3) megapixel rating of the camera and 4) buy the best camera you can afford.

Are you really ready to buy just yet? Well, maybe, then again, maybe not? Your overriding consideration for this purchase must be quality of image. Almost equally of importance is your intended use. Are you going into photography as a professional? As an amateur? To make video records? Still image records? A combination of still and video? How much local processing will you be doing on your pictures – i.e., color corrections, readying them for internet use, putting them into just libraries or creating presentations with them? How many pictures will you be taking at a time; i.e., how much memory will you need for your camera before you dump the pictures onto your computer?

Do you need a video camera which will provide JPG stills? Do you need a video camera which will provide both JPG stills and MPG video as well as regular video? Do you need a still camera (JPG) which will provide you AVI or MPG video clips? Or do you need a professional quality SLR which will provide JPG still images only?

Simply saying “I’m going to get the best, most expensive, digital SLR I can find” doe not mean this camera will meet your photographic needs. What if you want, or need, both digital stills and digital video? Check both of my video presentations at http://www.santaclausca.com. Note the sound problems in the first one which has partially been corrected in the second one.

First, I am no longer involved in professional photography except coincidentally. So I guess that means “Yes, I am involved in professional photography” – at least as far as the above link goes, with my Santa Claus work. We started with my wanting a good quality 35mm SLR when we got married. And I replaced it with a better one a few years later. Then we decided we wanted to add video, and got a high-end JVC VHS camcorder, one of the new smaller ones. A few years into that and we decided to go with digital video. We went with a Sony TRV 140. It gives us Digital Video on Digital 8 tape; it also provides us with JPG still images in the 640×480 range at about 125 kb each and 15-second video MPG, both on the “memory stick”. However, the “quality” of the still images is the equal of a 2 to 4 megapixel still camera which produces images in the .6 to 1.2 megabyte range.

This was such a great improvement over the VHS camcorder that I purchased a second Sony TRV 150 a year later, which is even better in some respects. Image quality is very high. We can make a video and take still images without interrupting the video at all. We can make 1-minute long video MPG directly on the memory stick with the JPG images. And with our new computers we can take the video output directly off the camera and onto our computers in a digital video format.

I added a cheap Mercury 3.1 mp digital camera and it was nice but overall very unsatisfactory, and very slow recovering from taking a picture and getting ready for the next picture. I found a discontinued Minolta 2 mp digital camera for a reasonable price that actually took better pictures, had a 3X optical zoom lens (the equivalent of 35mm to 135mm lens on a 35mm SLR) and was not so slow on recovery and readying as the Mercury. It was also less susceptible to blurring if you did not hold it perfectly still – a better shutter action.

Later I found on an eBay auction a Fuji 2.2 mp digital camera which I accidentally won high bid on? Hah! That’ll teach me to play around with bidding on my account before I know what I’m doing. It could have been a financial disaster but I knew the price of the camera retail ($299) and the price I bid ($150) and I actually got a pretty good deal. Particularly when there were 9 others of the same Fuji model and none of them went for under $220 each.

I have learned some differences between my Minolta and Fuji. These include 4 AA batteries for the Fuji and 2 AA batteries for the Minolta. This boils down to a brighter flash and better flash results from the Fuji over the Minolta. It also makes for slightly less lag time moving from one function to the next and a faster shutter time (less delay) when you take a picture. The resultant pictures are about 865 mb compared to 675 mb from the Minolta. But if I need audio on the AVI video clips the Fuji does not provide it. I have to use the Minolta for audio tracks on the video clips.

I’m actually very satisfied with both cameras, and with the two Sony digital video cameras as well. And while the digital still image quality from the Sony jpg’s is very high, the 125 kb size does not allow printing of anything larger than 4″x6″ while I can print very satisfactory 8″x10″ pictures from both the Fuji and Minolta cameras. I have two 256 MB SD memory sticks for the Fuji and Minolta digital cameras, each of which provides about 285 pictures. Nice for trips somewhere. And I have a 128 MB and 64 MB chip as well.

As to the Sony video cameras, they do come in handy. We do most of our picture taking with the Memory Stick and JPG/MPG pictures and video clips. This is a lot of fun and makes for nice memories. A few times, however, I have been called upon to take videos of presentations, 1-2-3 hours long. The Sony video cameras come in very handy for those, too. But on trips or traveling around, my sweetie usually carries the Sony while I carry the digital and film still cameras.

We actually chose the Hi8 digital format when we purchased our Sony cameras a few years ago; were we to make the same decisions today we would simply go with the straight digital format instead of Hi8. For the Sony’s, we have two 64 MB memory sticks for the TRV-140 and we have two 256 MB memory sticks for the TRV-150. If we did no video clips at all the 256 MB memory stick would give us almost 2000 jpg images and make a standard 1-hour-per-tape home movie at the same time. Three hours of video plus 2000 still pictures would cover a very long trip.

However, when I really need versatility and the highest quality possible, I continue to use my 35mm Minolta film camera. It takes about 20 mp of digital picture to equal the quality of the 35mm film results – and we aren’t there yet. The last I checked we were at about 12 mp for digital quality. So I still shoot a lot of film; I just process it anymore by having it put right to CD in digital format, with no prints. I usually start out any trip we take with 10 rolls of 35mm film of the finest grain I can get by with – ASA 100.

So lets take one final look at the “image quality” question. 125 kb from the Sony, as high quality as the lenses are, simply does not compare to 675 or 865 kb from the Minolta and Fuji still cameras. Nor do they compare even remotely to the 925 kb pictures I get from the film. And that’s a bone of contention for me because 2 years ago my film pictures came back at about 1.5 mb each; then all of a sudden a couple of years ago they started coming back at 1.1-1.2 mb and for the last year plus they are in the 900 kb range? The quality is still good, but we’re dealing with pixels here rather than film grain.

If you have any kind of angled surface – i.e., any angle not either vertical or horizontal – you will have a low-resolution result. The reason is that pixels are squares. When my film (dots of color) is converted to digital (squares of color) I lose the higher resolution capability of dots to produce angled and curved lines.

OK, you say, I’ve got 8 megapixels. That gives me much better resolution than your 2.2 megapixels? Well, yes it does but not near as good as my film camera provides! Nor good enough to make 18X24 or 24X30 prints. 12 megapixels still only gives us high quality at 11X14 or perhaps 16X20. The reason is that as the little squares of color become visible they tend to blur the edges of angled and rounded objects whereas the dots from a film negative tend to keep those same lines sharp. So even though the film gives me higher resolution, the conversion to digital format costs me some resolution.

There’s one more important factor that goes into this matter before you decide on your particular camera needs. This is the difference between optical zoom and digital zoom. Let’s say that you get a camera with 3X optical and 4X digital zoom and they “sell you” on this model because it is “effectively 12X zoom”! And well, yes, it is “effectively 12X zoom”! But just what does that mean? Not all that much.

The optical zoom part is the only important factor. Typically a 3X optical zoom on a digital camera would give you a lens that corresponded to 35mm x 135 mm focal length on a 35mm camera – i.e., wide angle to short telephoto (actually what used to be known as a “portrait” lens). What the digital feature actually does is not enlarge your image but enlarge your pixels. This actually reduces the quality of the resultant picture because it is reducing the total number of pixels per square inch in your final product. The other downside of digital zoom is that you must put your camera on a tripod and make sure you don’t jiggle it when you snap the shutter – otherwise you will definitely get blurred pictures.

As you can see, choosing your camera or cameras to fit your needs is not all that quick and easy and may actually involve owning more than one camera. Maybe several cameras. But for your still image work you should choose a camera that has at least 6X to 10X optical zoom (totally disregarding any claims for digital zoom) and 4-5 megapixels or larger image. Also, make sure that the camera has a mike pickup for digital video sequences. You don’t need to use this capability but you can’t use it if you don’t have it.

So now you have your cameras and you need to know what to do with the pictures? Well, see my next article, Digital Photography: Using Windows XP (to manage your digital pictures).

About the Author

Loring Windblad worked as a freelance photographer for more than 20 years. He and his wife presently own and regularly use 1 VHS camcorder, 2 digital 8 camcorders and two digital still cameras. His latest business endeavor is at: http://www.santaclausca.com

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Since the wedding may last less than an hour while the reception may go on longer, the best way to preserve this memory in time is through pictures taken by a talented photographer.

People who want to start a career here should first take classes on the basics of photography. Some think it is just a matter of looking at a lens and pushing on the button but there is more to it than that. There are factors such as lighting, color and timing has to be considered to be able to get the right picture especially for the candid ones.

When the person has learned this, it is time to get that camera. More people are using digital cameras these days that can hold more than 200 images or more depending on the size of the memory card.

This makes developing faster than the conventional one, which is taking out the film from the camera and working on the pictures inside the dark room.

Some people who want to become digital wedding photographers do it because of the money. The individual must realize that it is only through devotion that the quality of the shots taken is consistent.

It takes awhile to be a good wedding photographer. It may be months or even years so during this time, the photographer will be able to develop a certain style or technique that will surely be remembered by the client years after the wedding took place.

Some of the lessons in digital wedding photography can be self-taught. Since there are other ways to shoot pictures, it is best to talk with other artists or to attend seminars.

Another way to excel in this art will be to enter in competitions. The individual may not win but there are valuable lessons that can be learned which can be incorporated into the style used in taking those photographs.

Research has shown a good wedding photographer can make $24,000 annually or more. This means serving one client well will open the doors to others such as the friends and relatives of the couple who will also be getting married in a few months or years.

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Given that concept, one can surmise that photography is, indeed, a work of art captured in technicalities and presented in an exceptional manner.

The total impression on the subject will always depend on the way the photographer wants to present his or her subject matter.

For this reason, special classes in photography provided for those who wish to perfect their skills as far as photography is concerned. However, there are some basic tips that every budding photographer must know in order to succeed in this kind of endeavor.

Here is a list of some of the important pointers that every photographer should know:

1. Get ready

The key to good shots is to have all of your necessary materials ready. One of the basic skills needed in photography is the point and shoot.

However, you can’t do this if you lack the materials that you need such as extra batteries (in case you run out of battery supplies), a tripod (for a steady footing), and other devices like the lenses that would aid your ability to incorporate the point and shoot skill.

Besides, you would not want to be wasting your time rummaging through your bag to find those additional lenses just to get a close up shot of your subject. Aside from time-consuming, your subject might lose interest or if it is a moving object, it might not stay longer than you have expected.

2. Be steady with your camera

One of the main reasons why pictures may come out blurred is the fact that some photographers can’t get a steady hand on their cameras.

It would be better to avoid shaking your camera. If you really can’t avoid these, it would better to use a tripod or inserting your elbows to your sides so that you get a stable grip.

3. Focus on your subject

By attending some photography classes, you should be able to learn how to get the best angles to capture your subject. Just keep in mind to focus on your subject and not on anything else.

These are just some of basic tips that you will learn in a photography class. Just keep them in mind and you are on your way to your best shot.

About the Author:

Learn Digital Photography – Is an excellent guide to Digital Photography and finding which camera suits your needs. For more information visit: Digital Photography Tutorial

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So how do we use the ?Dodging & Burning? technique? Firstly open your picture in a digital editing program and find the Dodging & Burning Tool. You might like to use the programs ?auto contrast? or ?one click fix? button first. This may just improve your image slightly before you start the dodging and burning. Its normally a good idea to let the program balance your image first in this way.

If you are able, it will be useful be to print a copy of your image first and mark the areas you want to enhance. A paper copy is easier to work with than the on screen version. Mark the areas of the printed version that are highlights and shadow. When Dodging & Burning you are trying to increase the contrasts in the picture, so having lots of grey areas isn?t the desired effect. Also do not overkill the area selections. Choose a few areas you think could be improved, but be selective. Dodging & Burning should be very subtle so use no more than 6% opacity on the brush, and be sure to use lots of sweeping strokes to keep the effect even and blended. Using large brushes helps too, around 400 to 500 diameter soft brushes are best. The opacity and brush settings are variable in all editing programs that allow dodging and burning, so don?t worry if your not sure what this means. You?ll spot them when you select the dodge and burn tool. Most importantly, remember to only ever ?dodge? highlights and only ever ?burn? mid-tones and shadows. If you try to burn highlights you?ll end up with a horrible dirty grey result, and dodging shadows and mid-tones only creates noise in the image, neither of which looks good.

Using the subtle settings mentioned above, apply the Dodging & Burning tool to the image ONLY on the areas you previously chose on the paper copy. Please don?t get carried away with this as the final result will look harsh and artificial! Stick to the areas you chose and then once your done, print the image! Photo-paper and high quality printer settings will display your hard work best.

You may not notice too much difference..until you place your final print next to the original print. You?ll be amazed at the improvement! Finally, this is a guide to standard ?Dodging & Burning? but as with every aspect of digital photography, experiment for your self! Try different images, try different opacities and try different brush types! The more you experiment and practice, the better you?ll become, and the better you?ll be at identifying areas of images that would benefit most from a little Dodging & Burning!

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Don’t roll up your eyes and groan at the mere mention of “class”. Not all classes are as bad as those in your school and college were. In fact, a digital photography class promises bounties of fun and it is guaranteed that it will be one class of your lifetime, which you would not want to skip at any cost.

The soaring popularity of digital photography has seen digital photography schools springing up in almost every nook and cranny of your locality. So, which one to enroll to ensure your money’s worth?

Any good digital photography school worth it’s salt will offer intensive training and impart comprehensive knowledge in almost all the aspects of digital photography. And this also includes enlightening you on the internal mechanism of a digital camera. You can expect there will be no shortcuts either.

Your digital photography class will start out with an introductory session that will give you an overview of the camera setup and what digital photography is all about. You will be trained on the functions and settings of your camera so that after the completion of the course you will know your camera like the palm of your hand and will be better able to appreciate the scope of digital photography.

Being well versed in the parts and workings of a digital camera ensures that when you go to buy one for yourself, you can make the right choice.

Digital photography classes, as a principle, concentrate on teaching you the manual mode of photography. This is because the hallmark of a great photographer is definitely his skills in wielding control over how his photographs turn out. And wielding control entails that you do not let the camera decide when the flash should be used or being spot on with the focus and exposure settings without the intervention of the camera’s in-built scene modes.

There are many digital photography classes that arrange field trips for its students. And you will surely agree that a hands-on experience in outdoor shooting is actually far more beneficial than a theory class. Besides, a few bouts of outdoor filming will also ensure that your lighting issues are sorted out. Thus, the nitty-gritty of lighting like using filters to tone down the tints of a photo taken in the harsh midday sun or the details of night photography are best appreciated when tried first hand.

A stint at a digital photography class will hone your photographic skills manifold times with in-depth training in composition and blending the rules of traditional photography with the digital photography mode. The fine points of filming in different settings and churning out optimum results should also be a part of the curriculum.

Digital photography classes are particular about details. Therefore, you will not be stopping at filming lessons only. You will be taken through the editing and processing of digital photographs too. You will be taught the ways and means of accessing the images stored in the camera’s memory cards and the PC editing tweaks that will transform even the drabbest image into an enchanting piece of art. Besides, you will also be educated on how to compress the digital image files and have them uploaded on the Net.

There are hundred and one things that you can do with your digital images. Printing is definitely one of them. And you can be sure that your digital photography class instructor will teach you the fundamentals of getting digital prints.

A digital photography class is an excellent way of acquainting yourself with the ‘ins’ and ‘outs’ of digital photography. Attend one and flaunt your skills with the lens and the shutter.

About the Author

Connie Fillmore is a successful writer and publisher of photography related issues, for more informative articles go to www.digitalphotographyguy.com

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Many photographers have now shifted from the old camera to the model capturing a picture digitally. This will surely give the user more time to focus in taking the shots since images that are not at par with the standards of the artist can be deleted off the camera?s memory.

Since the functions of the digital camera are a bit different, it is advisable to spend time getting acquainted with this new toy. The owner should then shoot a few practice shots to be able to get a hang of things.

If the person uses the camera a lot and may not have time to download the images to a computer, it will be good to invest in memory cards or those that have more space. This will surely keep the individual busy for choosing such a profession.

Individuals who use a digital camera no longer have to look at the lens to be able to get the perfect shot. This is because most models have LCD screen which will tell the person almost immediately if another shot needs to be taken.

Here are some tips that will aid the person in getting a perfect shot using digital photography.

1. Traditionally, people love to take a shot involving the full body into the background. Those that do this will realize that the image of those in the picture are too small so it is advisable to take an upper body shot or from the shoulders up.

2. If this is too difficult for the user, another way to get the shot will be to put the people on the picture on the side rather than the center. The owner should just zoom in properly in order to get both properly.

3. Lighting still plays a factor whether using the old or the digital camera. This is because an image with the sun behind the subject will turn out to be a silhouette while the same effect with the light in front will make the person squint unless there are sunglasses on.

The techniques in getting the right shot have not changed. Digital perfect photography has merely improved it by making this art form easily done by anyone.

About the Author:

Low Jeremy maintains http://Digital-Photography.ArticlesForReprint.com. This content is provided by Low Jeremy. It may be used only in its entirety with all links included.

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